We’ve discovered first hand from the MTV World Stage show that loving Tokio Hotel is ‘Automatic’. This post is dedicated to all the hardcore fans that eat, sleep and breathe Tokio Hotel. The quartet kick-started their set with ‘Noise’ and the crowd went wild even in the relentless drizzle. Songs in their set included ‘Zoom Into Me’, ‘Dogs Unleashed’, ‘Human Connect to Human’ and several others. Here's my interview with the German boys... |
With such an imposing name such as The Wanted—they better be wanted, right? Let’s just say they were very desired while they were here in KL. They performed at the Laundry Bar on 20 February 2011 to a young audience-with several parents acting as guardians and supporters in the mix. In case you don’t already know, the five boys that form the boy band hailing from the UK are: Tom Parker, Max George, Siva Kaneswaran, Jay McGuiness and Nathan Sykes. I got a chance to chat with these youngins while with hot magazine and this was the outcome: |
Saying that The Wanted boys were all-around nice guys would be a serious understatement. They are more than sweethearts or mere pretty faces. We wanted to know the distinctive personality behind each member, so we taped the interview and even created a video compilation of goofy outtakes. Now, hot understands the massive appeal of this UK pop boy band consisting of: Tom Parker, Max George, Siva Kaneswaran, Jay McGuiness, Nathan Sykes. They each have unique characters —not contrived; mind you— which makes them so wanted.
We now present the boys to you; all candid and without frippery. They engaged, teased, and entertained us during the interview. Watch and see! Don’t miss out on their acoustic harmonising at the end when they serenaded hot magazine.
Here are some transcribed bits, but we recommend watching the video to really see these boys in their natural setting when they aren’t performing...
What makes you hot for a girl?
Siva: She is courageous, confident, cute, and has a nice smile.
Nathan: Somebody really cute that doesn't take themselves too seriously. Somebody who isn't arrogant, I don't like arrogance [shakes head].
Max: I like a girl who is funny, outgoing and is very sort of family oriented. I like a girl that looks after her family.
Jay: Someone goofy that won't take herself, or me too seriously, relaxed...and can dance well.
Tom: I like a girl that's really outgoing, very confident and doesn't take herself too seriously. And looks like Angelina Jolie; kinda [shrugs].
Of course the next question would be ...Are you guys single?
Jay: [Puts up both hands] Yes!
Tom: Yes.
Nathan: Yes.
Siva: Noooo... [smiles sheepishly]
Max: No. [shakes head]
Are you guys going to come back for a full show?
The boys answered with a resounding “Yes! 200%”
Siva: We had a good response already [at the Laundry Bar]. We went utterly crazy, it was a controlled crazy. [watch the video for their enthusiactic reaction to the Malaysian fans]
When you guys first heard "Malaysia", what was the first thing that came to mind?
Max: I've got two Malaysian Water monitors at home.
Jay: I thought, we're all gonna go see Siva's family. [laughs]
Tom: I was just looking forward to trying different foods. We're not been anywhere except McDonald's for the last three weeks, so...
What did you guys try?
Max: There was a fish soup thing that was very spicy with noodles...
Siva: We went to Little Penang...
Max: Chinese tea ice...
Nathan: The one that I liked most was...which one was the dish with the chicken and coconut rice?
So you can all do spicy then, huh?
Jay: No...[shakes head]. I'm allergic to dairy as well...I had rice and you know it was pretty spicy, that red thing (I'm not touching that). It still tasted great. So, I gave all my spices to Nate... and he cried like a little girl.
Nathan: Just through a natural reaction, I think.
Jay: Yeah, his eyes watered.
If you could bring back a dead artist to work with, who would it be?
Tom: John Lennon
Jay: Michael Angelo
Max: Elvis
Nate: Luther Vandross
Siva: MJ. I just had to say it.
If you guys had to describe yourself in three words, what would it be?
Tom: Very, very loud.
Jay: Pale, goofy and dumb. I couldn't think of a word so I thought, 'How dumb is that? So, I’m pretty dumb. [laughs]
Max: Not so much in Asia; but short. Some girl came up to me yesterday and said you're so tall [laughs]. [rolls eyes] Yeah, I get told that all the time. [laughs]
Jay: [Interjects] And he was so happy.
Max: [Continues] Short, bald [rubs forehead] and fat. Short, fat and bald [nods head].
Nathan: Fat...
We interrupted: P-H-A-T?
Nathan: [nods in agreement] Yeah, with all these chains [laughs]. Shy... [group teases him and he settles with...] A purple street gangster. There you go. Yeah!
Siva: I’m tall...dark and smelly. [laughs]
You have a song called ‘Weakness’ right; so what is your one weakness?
Max: Mine would have to be anything to do with animal cruelty. Documentaries or films to do with animals just hit me hard. Just films in general; I cry.
Jay: You do cry a lot.
Max: I just weep.
Jay: My weakness is Avatar. Or some will say strength, but most would say weakness. [laughs]
Siva: I’m going to say two. I hate crying girl fans...hate it. It really gets to me. They just want everything from you and you can’t give them everything. My second weakness would be Tom’s smelly feet. That’s my weakness [laughs].
Max: He’s in love with them [laughs].
Tom: I hate child cruelty. I want to try to do something, like a charity...and I also hate my feet! If you smell them, I’m sorry.
Nathan: I’m kind of with Tom; create charities. My weakness is Man United losing.
*Videos and interview by Felicia Chin
Sitting in the same room as Andy Lau was a daunting thought at first because he has been around for eons. He is an actor, a Cantopop veteran, a producer and somewhat of a legend with countless music albums and over 120 movies under his belt. We’re glad to report, that despite his obvious commercial success, there wasn’t a smidgeon of pompousness in the 48-year-old star. In fact, he was busy making sure that we’re comfortably seated before taking a seat himself.
The air was filled with a zen-like quality with Andy around. His answers had depth but above all there was sincerity and earnestness in all his answers. Here’s what we found out from this Hong Kong superstar when he came to
Tell us about your role in Shaolin
It's a complex role because there is a major transformation. The story begins roughly around the 1920s and people/forces are putting forth their best efforts to expand their power in
I wanted to fight back initially but my mean-spirited character improved and I moved away from bad and worldly things. Well, at the beginning of the movie I tried to act like an animal, but under the spirit of Shaolin I transformed from an animal to a human being.
Which part did you like more, the animal or the human being?
Both. [laughs]
How is this movie different from the one made previously?
It is totally different from the last one they did in 1982. We focus on the action and we tried to create a better story and made it more dramatic.
Was it hard to play the bad guy because you’re generally a nice guy?
No, no...[laughs] the script was good!
Was doing Kung Fu a tough task?
It was a great display of friendship. Jackie Chan, YuXing and even Nichlos Tse are great fighters and they over-assist me sometimes [laughs]. They spent lots of time practicing with me and they even slowed down a little for me [laughs]. They made me really like the fighting bits. I have them to thank for that.
What was the most difficult thing you had to do for this movie?
I think the most difficult part is trying to convince people that besides Kung Fu and martial arts, we have a very strong message. Some people may think that Shaolin must be a martial arts movie, so they concentrate on the fighting scenes and may therefore miss the most important part of the movie. So the most essential part is promoting Shaolin properly. We’re trying to tell everybody that it’s different, besides the action; we have more!
Which was your favourite action sequence in the movie?
You know that car racing is the rage these days; we also have one in our movie [the one with horses]. It's an amazing idea to have "car chasing" in a period movie. That is the part I really love.
Did you do all the stunts yourself?
Well, most of them. It was very safe because everything was taken care of, they made sure of it. We can also count on computer graphics and special effects to make it look more real. They set up explosives all around but the fire wasn't that strong, we depended on computer graphics to make it look better. The set was very safe.
How did you prepare for this very spiritual and emotional role?
I have been devoted to Buddhism for about 20 years. Within these 20 years, I have been trying to study the spirit of Buddhism. Just half a year ago I stayed in the temple for a week to mingle with the monks, and then we took three months to practice martial arts.
Just after one month the master said, "All you have to learn is over. Now, it is up to you to perform your best because every action comes from your heart”. Whether it is a punch or a kick, it stems from the heart because that determines if it’s weak or intended to kill...so you have to really feel it. The style is merely a posture, how powerful it is comes directly from the heart.
Have you changed spiritually as a person after making the film?
I have learnt how to escape in my life. Sometimes you get stuck or you think too much. Buddism allows you to learn how to escape from your life and try to be reborn again. That is what I feel after making this movie.
Here’s our quick input about the movie:
We’ll keep it generic so that the plotline will not be given away. You’ll be hammered from all sides with a whole range of human emotions and fast-paced action sequences. Devastation and desperation are brilliantly painted in sombre gray tones, so the cinematography is breathtaking.
Moral messages are slotted in almost every scene throughout the movie and there is as much drama as there is action. A delicate balance can be found, you’ll see every nuance of the total brutality humans are capable of but you’ll also notice that it’s nicely contrasted with a softer side – sheer compassion. Be warned: you’ll be laughing, crying and gripping at your seat. Bring some hardy tissues. [3.5 stars]
*Interview and short review by Felicia Chin
You asked: ‘Hook Me Up’ with the Veronicas and we did just that! Hotxpress had a little casual chit chat with 24-year-old twin sisters Lisa and Jessica Origliasso and asked them questions you gave us on Twitter and Facebook. The ‘Untouched’ sisters were such fun to be around -they were cool and funny at the same time. Watch the video interview and see what they had to say about hooking up with the twins of Tokio Hotel, the naughtiest thing they have done, their resolutions for the new year and more. Oh yea, they also attempted to rap for hot magazine...lol. Check it out!
(Interview by Felicia Chin)
*Interview by Felicia Chin
Leehom’s boyish good looks may make your heart flip-flop and flutter, his melodic voice may render you a little helpless; but more resides behind that appealing exterior and extraordinary musical talent.
This 34-year-old Chinese pop-sensation goes beyond his call of duty as an artist and pushes everything to new levels. The interview gives you an insight to the inner workings and philosophical viewpoints of Leehom. You’ll be taking a peek into ‘All the Things You Never Knew’ about this multi-talented artist in order to appreciate his creative endeavours more than you have before.
Leehom sheds some light on his new album The 18 Martial Arts, directing Love In Disguise while starring in it, addressing the “gay” issue in the movie, collaborating with Usher, finding his soul-mate and having “arrived” in his career.
Q: How’s The 18 Martial Arts different from all your other albums?
A: The biggest difference is that I combined a movie with an album. I don’t think anybody has ever done that in
Q: How do you think acting and directing has influenced your music?
A: It has changed my music a lot, especially the inspiration for each song. When I get into a character or a story, I start finding myself writing from their perspective. It’s very different from writing in my own perspective. That happened in Lust Caution, when I got into that character of Kuang Yu Min, I started writing these very weird lyrics and old, old styled melodies that are very different from what I’d typically do. So, there was no hip hop in that album at all. It was very retro music from the 30s, 40s and 50s.
For this album, because I was playing the part of a pop star, even the beginning of the opening song was very hip hop and dance-not something that I do typically-but I was thinking to create that character, what kind of music would he do? Some of the songs in the album are definitely Du Ming Han’s songs.
Q: Which came first, the album or the movie?
A: They were both growing at the same time, these two halves of my brain.
Q: You played many roles in your new movie by acting and directing. What was your biggest challenge?
A: The biggest challenge was directing because it’s a very difficult job and something that I did not have much experience doing. Music is my neighbourhood; I drive around every corner I just know so well. But directing was a new area, so there were a lot of roads that I had to tread and trick. It took more time and I was less familiar with the territory. Now, that I have tread that path, I know how to accomplish a lot of things that I have never done before. In future projects I will definitely be more informed.
Q: Tell us some things about you that we never knew...
A: The movie reveals a lot of things that you never knew. Ah Duh the character is probably closer to the real me than the pop star Du Ming Han. You’ll see me being really goofy, silly, awkward...stupid [laughs]. I think that’s a lot more the guy that I am in real life. I didn’t mean to create some autobiographical parts of this movie but I think inevitably that happened.
Q: Would you fall for a school girl?
A: Well, [leans back to think about it for a second]...if she played the zheng like that, then, maybe...yeah.
Q: You addressed the “gay” issue in the movie and highlighted it in the trailer. Why did you do that?
A: I wanted to give people a taste of the kind of sarcasm and humour that might be in this film. I’ve been in the pop culture industry for so long and seen so many things that are really ridiculous. I deal with those things on a daily basis in a sarcastic and humorous way myself when these things happen to me. There is no other way to deal with that kind of thing than to make light of it and joke about it.
Q: What has happened in your life that has caused you to be so reflective and philosophical in this album at such a young age?
A: I started at such a young age. My first time to
Starting out to do a movie was like this abstract and almost untouchable mountain. Then you do it and once it’s done you realize that you’ve actually climbed the mountain. Sure there’re other mountains even higher and more fantastic. But then you gain a deeper understanding about what you really want in life. So that’s why I wrote in this album a bunch of songs that were much simpler, realistic and meaningful.
Q: You act, direct and play so many musical instruments. Are you concerned that people will see you as a jack of all trades but a master of none?
A: This is a very cool term [lights up]. I love, in language, when people come up with these idioms. In English, Jack of all trades but master of none is a very pessimistic way of looking at it. In Chinese, we say 18 Martial Arts and each one you can master. It’s the same idiom but with an optimistic twist to it. I like this idiom that’s why I made it the title of my album.
In our day and age people change professions so often. It’s not like you’re just a blacksmith for your whole life like people used to be. Now, people have to be more renaissance-like, open minded to different styles, different skills and not be afraid to take on things they don’t know. Like being a director, I did not know how to do that in the beginning but I just jumped into it. Sure, there were setbacks but I survived, grew and learnt a lot from the experience.
Q: You said it’s difficult being the director, why did you play the main lead instead of commissioning an actor?
A: Because of the nature of the script. I wrote it so I kind of had myself in mind from the beginning. I just wanted to take advantage of the fact that I can have this actor, [points to himself] working for free [laughs].
Q: You talk about finding your soul mate in the movie, what is your soul mate like in real life?
A: I think it’s a very abstract concept and that’s what makes it beautiful and so appealing. In reality, it might not be so concrete. But in the movie you can give people the illusion and the feeling of what it might feel like. I think that’s enough.
Q: For someone who does not like to talk about his love life, why did you decide to do something like Love in Disguise?
A: I am a romantic and sentimental person and this is what I wanted to say when I wrote the story. I did it with complete disregard to any kind of qualms I might have about my own personal life. In the beginning, I kept on telling myself that this is the story of this other guy...I kept telling myself that it’s not Wang Leehom. I really believed that.
Q: How would you define having arrived in your career?
A: I think I arrived a long time ago. There are different kinds of arrivals that I continue to make. I guess I arrived as a director this year...I’ve arrived as an actor; I’ve arrived as a musician. I don’t want to put a past tense to it.
I learnt a lot this year...When am I really done? When am I done editing? I mean there are so many different things in this movie that I could have just gone crazy about it for another half a year maybe. But there’s always a point where you’ve got to say, this is done, let’s move on to the next thing. So that applies to your career as well.
When have I arrived? I won such and such an award so... haha ‘pat yourself on the back’ ...I would never do that. I am always thinking, this is an experience, it’s a process and the process is a lot more important to me than the result.
Q: Do you plan to take your music West?
A: I think my music does go West and I think 10-years-ago we used to talk about like going into
The same as
Q: What about audiences? How do we get audiences from the West to look East in terms of music?
A: It’s harder than film and television because in film and TV you can have subtitles. I saw Love in Disguise yesterday and there were [subtitles] in Malay...I was like ‘Whoa!’ It’s much more accessible to somebody who’s not a native speaker to watch a foreign language film with subtitles than it is to listen to a foreign language song and get into it.
It happens very rarely and it’s always a particular type of song that can cross-over like -‘Sorry Sorry’ from Super Junior, ‘Nobody’ by the Wonder Girls or ‘Macarena’. It’s always a particular type of song that can go worldwide. Maybe the lyrics did not mean much anyway [laughs]. It’s like this whole specific vibe that everybody can just dig. I don’t really see myself doing that, but I see myself collaborating with international artists. Another way of attracting Western audiences to Chinese music is by working with Western artists.
Q: Do you have any names in mind?
A: Well, Usher. We had a great time together. I think he is very open-minded. So, that’ll be a great start. We’re good friends now. He sings in Chinese quite well actually. He had the whole song ‘Wi Yi’ memorized. It sounded pretty good to me; I was impressed.
